Şahin, Reyhan. This might be a world where nobody has to say ‘me too’ (to echo the conclusion of Oprah Winfrey’s speech at the Golden Globes Awards 2018) or tweet under #MeTwo, where the awkwardness of a performance such as Moiré’s ‘Mirror Box’ does not perpetuate the very violence it claims to critique and where the resistance against racist violence becomes a viral movement. 2, no. For more information view the SAGE Journals Article Sharing page.

“No”, 30 June 2017.

While never totally spontaneous, but also without formal organizational structure, assembly and the creation of assemblages on and through these digital platforms become politically powerful performances of lives lived precariously across geopolitical and temporal divides (Gerbaudo 21). 32, 2016, pp. For more information view the SAGE Journals Sharing page. McGill-Queens UP, 2016. Login failed. View or download all content the institution has subscribed to. The #ausnahmslos (literally ‘without exception,’ meaning to call out sexism and violence against women in all parts of society, without making exceptions), initiated by journalist Kübra Gümüşay and digital activist Anne Wizorek among others, quickly replaced #einearmlaenge and condemned both the sexism and the racism unfolding in the aftermath of these assaults. Feministkilljoy, This very act of assembling and reassembling becomes a form of world-making, which is the mark of other digital feminist work such as hacking and coding. Steyerl, Hito.

The video’s accompanying description on her website and YouTube states: ‘The audience’s reflection on the mirrored box simultaneously becomes a visual metaphor for the role reversal from voyeur to the object of view: a constant play of inversions analogous to our roles in the digital world.’ As the piece is intended as a response to Cologne, this statement suggests that the digital sphere in essence transforms women into objects of sexual assault. Smith-Prei, Carrie and Maria Stehle. Pluto Press, 2012. Seven propositions for a more strategic and politicized assemblage thinking, Reontologising race: The machinic geography of phenotype, Mama’s baby, papa’s maybe: An American grammar book, Flesh, metal, road: Tracing the machinic geographies of race, Template urbanism: Four points about assemblage, Between abstraction and complexity: Meta-theoretical observations on the assemblage debate, Unsettling the coloniality of being/power/truth/freedom: Towards the human, after man, its overrepresentation: An argument, On how we mistook the map for the territory, and re-imprisoned ourselves in our unbearable wrongness of being, of, Can assemblage think difference? If you have an individual subscription to this content, or if you have purchased this content through Pay Per Article within the past 24 hours, you can gain access by logging in with your username and password here: This site uses cookies. In an interview addressing the notion of the contemporary, artist-activist Hito Steyerl calls for work that makes present and ‘materialize[s] a different world’ (‘What is Contemporary?’). Butler, Judith. Traditional models of participatory politics and solidarity are mobilized through shares of interests, images, stories, and anger. Veritable inventions: Cities, policies and assemblage, Assembling urban regeneration? We focus on feminist responses triggered by the sexual assaults in Cologne, Germany, on New Year’s Eve 2015/16, particularly the work of Swiss-German performance artist Milo Moiré. Awkward Assemblages and Troubled Practices: From Moiré to #MeToo. Staying with the Trouble. Between ontology and representation: Locating Gilles Deleuze’s ‘difference-in-its... Materialism and the politics of assemblage. The location of the viral is the body, for it is an infection that connects all bodies. The magazine Focus from January eighth responded to the events with a cover depicting a naked, white woman covered in black handprints; the title page of that weekend’s edition of the newspaper the Süddeutsche Zeitung showed a drawing of the legs of a white woman with a black hand at her crotch. “Whiteness, WiG, and Talking about Race.” Women in German Yearbook, vol. View or download all the content the society has access to. In order to exemplify the way in which such troubled practices and awkward assemblages complicate the genealogy of feminist protest and intensify long-standing political feminist interventions, we set the stage in the first section by focusing on activist responses triggered by the sexual assaults in Cologne, Germany, on New Year’s Eve 2015/16, particularly those of the Swiss-German performance artist Milo Moiré. patriarchy, white supremacy)’ – in dialogue with assemblage theory – which portrays all subject positions through their constantly shifting interrelations in continuous movement – Puar argues that the social fabric is never determinate and seeks to open new pathways to future feminist theorising. “Mapping the Margins: Intersectionality, Identity Politics and Violence against Women of Color.” Stanford Law Review 43(6), 1991: 1241–99. In Moiré’s interpretation, the curtains are made of red velvet and the box is made of mirrors with embedded recording cameras.

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