[4] Spalding chose to do the experiment in 77 hours because she was once told by a reverend that "seven is a divine number. So what it is I’m gonna send to you is a CD or an LP, but there’s only 7,777 copies because it was a moment in time! I'm tired of backing everything up and explaining why this character does this and that. The livestream clocked 1.4 million views; those who stuck around for any real length of time watched Spalding put on a dizzying creative clinic. The radical transparency of that move also lent the forthcoming album’s title, Exposure, some extra conceptual depth. So you can pre-order it now and that’s "Exposure".

Exposure, some extra conceptual depth. Share. Edit Release All Versions of this Release New Submission .

The live stream took place at NRG Recording Studios and included breaks for sleep and sustenance, adding a layer of reality-TV voyeurism to the experiment. So when the three days is up and the recording button goes off and the cameras go off, that’s it. Hank Shteamer vergab an das Album im Rolling Stone vier (von 5) Sterne und schrieb, Esperanza Spaldings Enthusiasmus, ihre Veröffentlichungen zu aufmerksamkeitsstarken Konzepten zu bündeln – wie das Schreiben und Aufnehmen eines gesamten Albums in einem ununterbrochenen 77-stündigen Livestream oder der Bezug jedes Songs auf ihrem neuen Album 12 Little Spells zu einem anderen Körperteil – könnte einen veranlassen, zu glauben, sie würde versuchen, ein Manko in der eigentlichen Musik zu verbergen. Aber das könnte nicht weiter von der Wahrheit entfernt sein, so Shteamer. I thought: I just need a break from framing. It’s gonna be live-streamed on Facebook Live and for three days, during three days, we’re going to create, compose, write, record, produce, and finish an album in front of a live audience: you. Write, rehearse, and record a full-length set in only 77 hours—including naps, breaks, and meal-times? Marketplace 0. September 12th at 9am I’m going to the studio for three days with nothing prepared.

Edit Release All Versions of this Release New Submission .

“Exposure”. Black spot heavy ink to my bonesfrom stark sitting floating alonenow my limbs are writing I start blurrycasting a stone a lone rippletears through the blanklighting the face of the deepstirring the delicate monsters I keeppushing downkicking toward the groundthere’s a word there I needas far in this world as I can from belief, I see bodies bobbing and wasting on the shoresoggy pages litter the sand with pure thought andwhite bones clean as mind in a vacuum taking sunsafe beach blankets flat and getting nowheresee those bodies bobbing and wasting on the shoresoggy pages litter the sand with pure thought andlying lying lying in themselvesdying dying dying clean and pure beneath a parasol, Black spot heavy ink to my bonesfrom stark sitting blank and alonenow my limbs are writingI start blurry casting a stone a lone rippletears through the blank, stirring the delicate monsters I keeppushing downstirring the delicate monsters I keeppushing down, Look at youtoo proud to say what you needwhat? Mai 2019 in um vier Titel erweiterter Form als Compact-Disc auf Concord Records.

All tracks are written by Esperanza Spalding except where noted. [9], In his review for Pitchfork, Seth Colter Walls commented, "As tempting as it may be to think that disciplined artists like Spalding can just turn on a genius tap and let the product flow, Exposure reveals some measure of what is required when an established artist hopes to improve and innovate."[1]. But none of these quirks were meant to be more important than the music resulting from the sessions. Pitchfork is the most trusted voice in music. Plans to livestream the entire studio session on Facebook Live provided a legitimately new angle.

[9], In his review for Pitchfork, Seth Colter Walls commented, "As tempting as it may be to think that disciplined artists like Spalding can just turn on a genius tap and let the product flow, Exposure reveals some measure of what is required when an established artist hopes to improve and innovate."[1]. Sie ist eine nachdenkliche Texterin, kristallklare Sängerin, groovige Bassistin und Struktur-betnete Pianistin. No digital purchases would be possible, and the album would never be available to stream—another somewhat radical move, for late 2017. This limited-edition run sold out well before the following 77 hours had elapsed. Each guest-star appearance seems perfectly placed, as when violinist and vocalist Andrew Bird appears for an easygoing, seductive duet with Spalding, on “The Ways You Got the Love.”. But on a project like Exposure, you’re pre-committed to releasing what artists set down in the studio. With the support of some quick-reacting audio engineers, Spalding could sketch out a melody on her double bass before beginning to create harmony vocal lines. Like I said, less time for us as creators forces us to just move forward and give you what’s in here. [1] At first, the production sounds muffled, as it would if you were overhearing an intimate performance taking place in another room. the bell in the church of your mind aint’been swung in such a long timedull brass and spiderwebs choking the soundlocks on the gate round your fountainall drypretty cherubs of stone await silver rain from the skywhy?

I wanna take away all the layers we usually hide behind as creators and just get right to the conversation of creating directly for you. But none of these quirks were meant to be more important than the music resulting from the sessions. "Esperanza Spalding on making an album from scratch – for the whole world to see", "Esperanza Spalding Will Record 'Exposure' in Front of the World", "Esperanza Spalding's 'Exposure': A Creative Marathon, Live In The Studio", "Why Esperanza Spalding Is the Most Audacious Innovator in Jazz", https://en.wikipedia.org/w/index.php?title=Exposure_(Esperanza_Spalding_album)&oldid=943698069, Creative Commons Attribution-ShareAlike License, Esperanza Spalding – vocals, acoustic bass, electric bass, kalimba, Fernando Lodeiro – recording (tracks 1–11, 14–20), mixing, Zach Brown (at Sullivan Street Studio) – recording (tracks 12 and 13), Paul Blakemore (at CMG Mastering) – mastering, This page was last edited on 3 March 2020, at 12:21.

It is a limited edition album, with only 7,777 copies being available.

—Spalding on her reasons for recording Exposure in a New York Times interview[3], With an aim to finish ten songs for this project, Spalding started broadcasting the writing, arranging, and recording of Exposure at 9am PST on September 12, 2017 via Facebook Live for 77 hours straight.

EXPOSURE LYRICS. Das Konzept für dieses Album entstand aus ihrer Bereitschaft heraus, das Label eines „Musikers“ abzuwerfen und in ihren eigenen Worten die Identität von „Was würde passieren, wenn?“ zu erforschen, kombiniert mit einer Einführung in die alternative Medizin der Energieheilung genannt Reiki.

I'm tired of backing everything up and explaining why this character does this and that.

It’s called “Exposure”.

The implicit response from Spalding’s team was: “Watch and find out.”. Exposure exists as a limited edition of 7,777 physical copies, all individually signed and numbered, as well as an original piece of notepaper Esperanza will have used to write the lyrics and music, allowing those who witnessed the process to own a piece of the creation itself, directly from the source. As the song develops, the sound becomes crisper.

Exposure is the sixth studio album by bassist and vocalist Esperanza Spalding. Exposure is the sixth studio album by bassist and vocalist Esperanza Spalding. Diese Seite wurde zuletzt am 22. [2] It was released on December 16, 2017, by Concord Records. Exposure is the sixth studio album by bassist and vocalist Esperanza Spalding.

She has stated that the premise of Exposure is that all the facets of creators only need the right environment to coalesce into completeness.[5].

Oh let me redo that.” Nah, nah, nah, it’s like life. So if you get one, you get one. It’s the number of completion. We can’t stop to judge, wonder, question “is it good enough?

Is it right?

Each LP’s cover artwork is original and unique as it incorporates a piece of Esperanza’s note paper used for music and lyric composing during the recording.

In between watching the livestream and receiving the mastered, finished album in December, it was possible to wonder whether the multi-day rush of watching Spalding work might always loom larger than the experience of listening to a 10-track, 40-minute recording, no matter how good. The baroque pop colors of “Heaven in Pennies” suddenly give way to dreamy plumes of reverb-heavy rock, before the composer clears her canvas again—giving pianist Robert Glasper space for a darting jazz solo. Her intensity and purpose were obvious, moment to moment. With price points set rather high—$50 for a promised 2-CD set; $60 for the vinyl edition—Spalding entered the recording booth, on September 12, 2017. Eine Grammy-Nominierung erhielt die Sängerin für „12 Little Spells (Thoracic Spine)“ in der Kategorie Bestes Arrangement von Instrumenten und Gesang.[3].

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