The beautifully-painted body of Jesus has already been washed after the crucifixion as there is no sign of blood on his hands and feet and the crown of thorns has been removed.
Picasso The centre of the panel portrays the naked body of the dead Christ being carried up a flight of steps to the sepulchre, which was intended to be painted in the blank area in the rocks at the top right of the work. The Entombment is a painting produced between 1500 and 1501 by Italian artist Michelangelo. Impressionism The identity of the two figures on the right is uncertain. The upright posture of Jesus may allude to his imminently bodily resurrection, and the raising the sacramental bread at the celebration of the eucharist. Michelangelo would have needed ultramarine blue made from the semi-precious stone lapis lazuli to complete the missing figure of the Virgin, as her mantle is traditionally painted this colour. It is in the National Gallery in London, which purchased the work in 1868 from Robert Macpherson, a Scottish photographer resident in Rome who, according to various conflicting accounts,[1] had acquired the painting there some 20 years before. Los Angeles Haarlem David The centre of the panel portrays Christ being carried up a flight of steps to the sepulchre, which was intended to be painted in the blank area at the top right of the work. The body of Jesus was washed, wrapped in linen, and spices were put on the linen.
It also shows areas of paint that Michelangelo scratched away, for example the rocks. License and download a high-resolution image for reproductions up to A3 size from the National Gallery Picture Library. Read more. [8] However, even if this were so, it would not explain why the artist could not have completed the many other parts of the painting that did not require any blue.[9]. The Hague Seurat The two unidentified figures in the paintings range from Nicodemus to one of the Mary’s while the figure on the far right is a Holy woman maybe Mary Salome. San Diego Museum Of Art It is probable that this work was The Entombment, which remained unfinished upon Michelangelo's return to Florence in 1501. This is a part of the Wikipedia article used under the Creative Commons Attribution-Sharealike 3.0 Unported License (CC-BY-SA). Rijksmuseum
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.
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