A frame with this profile had been supplied from London, as an alternative framing for De Vos Mother and Child (2009.2) in 2010.
van Rijn Self-portrait … Nor are there any direct references to particular philosophers. More recently, further technical investigation, undertaken by the National Gallery of Victoria’s conservation staff, has encouraged the scholars of the Rembrandt Research Project to reassess the work. Melbourne VIC National Gallery of Victoria, MelbourneFelton Bequest, 1933 Lieven Willensz van Coppenol,Writing Master:The Larger Plate. Rembrandt (1660s) Where an image is used in a hard copy publication one complimentary copy must be sent to: NGV Publications department A brilliant shaft of sunlight falls diagonally from the upper left, illuminating one figure but leaving much of the picture in darkness. The inclusion of objects evocative of learning, such as books, a quill and a globe, further suggests that the painting is an emblematic composition whose theme is the wisdom of the elderly. That there are no such attributes present lessens the likelihood that the painting is a portrayal of these two saints. Christ returning from the temple with his parents REMBRANDT Harmensz. This frame is likely to have been made around the time Daryl Lindsay had the Portrait of a white haired man, (acquired 1951) reframed. REMBRANDT From the National Gallery, London and Rijksmuseum, Amsterdam Directed by Kat Mansoor. 72.4 × 59.7 cm The frame was cut down with the corners re-cut to replicate the half lap joints of the back frame. They now consider Rembrandt to belong to a group of ‘self-portraits’, made for an as yet undetermined purpose, which originated in Rembrandt’s workshop and were painted before Rembrandt’s own eyes by one or more of his studio assistants. Rembrandt Prints. Melbourne VIC van Rijn (top), The National Gallery of Victoria acknowledges the Traditional Custodians of Melbourne, National Gallery of Victoria’s copyright policy, Victorian Foundation for Living Australian Artists, NGV School and Community Support Programs, International Audience Engagement Network (IAE). The painting was cleaned and restored in 2017. The painting came to the collection in what appears to be an eighteenth century English Regency frame.
Christ and the Woman of Samaria: an arched print, Jan Lutma, the Elder,Goldsmith and Sculptor, Thomas Jacobosz Haaring ('The Young Haaring'), Victorian Foundation for Living Australian Artists, NGV School and Community Support Programs, International Audience Engagement Network (IAE). Directed by Kat Mansoor. van Cite PDF Archived Version(s) Search this œ catalog . The most comprehensive part of the collection covers the history of Scottish painting – including Ramsay, …
Entry to NGV is free and dedicated session times to visit NGV Australia are available to book online now. Rembrandt uses the contrasting light to draw the viewer’s attention to the aged man in white, whose beard and wrinkled skin have been meticulously painted. The painting was fitted into the re-formatted frame in May 2013.
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